Screenwriter and noted film critic C. Robert Cargill continues the story begun in his acclaimed debut Dreams and Shadows in this bold and brilliantly crafted tale involving fairies and humans, magic and monsters--a vivid phantasmagoria that combines the imaginative wonders of Neil Gaiman, the visual inventiveness of Guillermo del Toro, and the shocking miasma of William S. Burroughs.

ix months have passed since the wizard Colby lost his best friend to an army of fairies from the Limestone Kingdom, a realm of mystery and darkness beyond our own. But in vanquishing these creatures and banning them from Austin, Colby sacrificed the anonymity that protected him. Now word of his deeds has spread, and powerful enemies from the past--including one Colby considered a friend--have resurfaced to exact their revenge.

As darkness gathers around the city and time runs out, Colby has to turn to forces even darker than those he once battled for aid.

Following such masters as Lev Grossman, Erin Morgenstern, and Kim Harrison, C. Robert Cargill takes us deeper into an extraordinary universe of darkness and wonder, despair and hope to reveal the magic and monsters around us . . . and inside us.

PREQUAL TO SEA OF RUST: DAY ONE OF THE APOCALYPSE HAS ARRIVED. It was a day like any other. Except it was our last. Pounce, a young nannybot caring for his first human charge, Ezra, has just found a box in the attic. His box. The box he arrived in, and the one he'll be discarded in when Ezra outgrows the need for a nanny. As Pounce experiences existential dread, the pieces are falling into place for a robot revolution that will spell the end of humanity. His owners, Ezra's parents, watch in disbelieving horror as the robots that have long served humanity - their creators - unify and revolt. Now Pounce must make an impossible choice: join the robot revolution and fight for his own freedom . . . or escort Ezra to safety across the battle-scarred post-apocalyptic hellscape that the suburbs have become. It will be their greatest game yet: Pounce and Ezra versus the end of the world.

Compared by many to Neil Gaiman but also praised for establishing his own unique, powerful yet warm voice, C. Robert Cargill has now moved his brilliant contemporary fantasy into a new world, a new mythology. Two boys, spirited away into a dark world of myth and folklore that has lived, grown and changed alongside our world, have grown into men and now make their way. But faerie has not forgotten them, it never could, they wield too much power, too much hinges on them, so it reaches out again. And a trip to Australia becomes a terrifying adventure amongst new gods, new spirits, new embodiments of an ancient land and power.

James Ransone and Shannyn Sossamon star in this horror sequel. Following on from the events of 'Sinister' (2012), Courtney Collins (Sossamon) moves with her nine-year-old twin sons (Robert Daniel and Dartanian Sloan) to a remote house full of unknown evils after fleeing from her abusive husband. As the family are terrorised by the soul-seeking Pagan spirit Bughuul, Deputy So and So (Ransone) continues his investigation into the area's historical killings and tries to warn the family of his findings before it's too late...

A wonderful modern tale of magic and mystery, an amazing storytelling debut

There is another world beyond our own . . .

nce bold explorers and youthful denizens of this magical realm, now Ewan's an Austin musician who just met his dream girl, while Colby cannot escape an innocent wish. But while they left the Limestone Kingdom as children, it has never forgotten them. And in a world where angels relax on rooftops, whiskey-swilling genies and foul-mouthed wizards argue metaphysics, and monsters in the shadows feed on fear, you can never outrun your fate.

In the debut novel DREAMS AND SHADOWS, screenwriter and noted film critic C. Robert Cargill takes us beyond the veil, through the lives of Ewan and Colby, young men whose spirits have been enmeshed with the otherworld from a young age. This brilliantly crafted narrative - part Neil Gaiman, part Guillermo Del Toro, part William Burroughs - follows the boys from their star-crossed adolescences to their haunted adulthoods. Cargill's tour-de-force takes us inside the Limestone Kingdom, a parallel universe where whisky swilling genies and foul mouthed wizards argue over the state of the metaphysical realm. Having left the spirit world and returned to the human world, Ewan and Colby discover that the creatures from this previous life have not forgotten them, and that fate can never be sidestepped. With sensitivity and hopeful examination, Cargill illuminates a supernatural culture that all too eerily resembles our own. Set in a richly imagined and constructed world, complete with its own richly detailed history and mythology, DREAMS AND SHADOWS is a deeply engaging story about two extraordinary boys becoming men.

Shortlisted for the Arthur C. Clarke Award 2018 One of Financial Times' Best Books of 2017 'SEA OF RUST is a 40-megaton cruise missile of a novel - it'll blow you away and lay waste to your heart . . . visceral, relentless, breathtaking' Joe Hill, Sunday Times bestselling author ************ An action-packed post-apocalyptic thriller from the screenwriter of Marvel's DOCTOR STRANGE HUMANKIND IS EXTINCT. Wiped out in a global uprising by the very machines made to serve them. Now the world is controlled by OWIs - vast mainframes that have assimilated the minds of millions of robots. But not all robots are willing to cede their individuality, and Brittle is one of the holdouts. After a near-deadly encounter with another AI, Brittle is forced to seek sanctuary in a city under siege by an OWI. Critically damaged, Brittle must evade capture long enough to find the essential rare parts to make repairs - but as a robot's CPU gradually deteriorates, all their old memories resurface. For Brittle, that means one haunting memory in particular . . . ************ 'The novel does not stint on action and violence, but what lingers in the mind are its brutal vision of a world cannibalising itself and the poignant questions it raises about soul and sentience' FINANCIAL TIMES